The Deconstruction of Self in Walt Whitmans Song of Myself In 1917 Marcel Duchamp took a urinal, withdrew it from its standard setting, entitled it Fountain and called it workmanship. By putting such a typical, unglamorous item in this inventive setting, Duchamp raised another attention to the urinal. Its familiarities disseminated as it was taken a gander at as craftsmanship, as model, as an announcement, or as a silly joke. Notwithstanding the response, the urinal stopped to be disregarded or underestimated. This demonstration of taking the recognizable and rendering it outside by constraining individuals to decipher it contrastingly and take a gander at it in another manner is a technique utilized by Walt Whitman in Song of Myself. Despite the fact that his techniques and subject couldn't be increasingly not quite the same as Duchamps, the two specialists are comparable in their fundamental demonstration of deconstructing and making new something that is so commenplace it is never contemplated.
